$12.00 – $17.00
This is a loose fitting blouse, which first appeared in 1861, as a female version of a soldier’s uniform worn during the Civil War. Originally, it was of red wool with trimmings across the shoulders, down the center front, around the belt, and at the cuffs. This blouse was gathered into a waistband, and worn over the skirts. By 1862, the term “Garibaldi” began to be used for any loose blouse with bishop sleeves. At this same time, the blouse began to be cut longer and was then tucked into the waistband of the skirt. Prior to 1865, the blouse would be partially hidden from view by a Zuave or Spanish Jacket. After 1865, the blouse could be worn with a simple belt. A white linen version called a “Canezou” appeared, with tucks and lace trimmings covering the front, shoulders, and sleeves.
The E-Pattern contains the following formats:
Letter/A4 – Prints on 25 sheets, 2 files, needs assembly.
A0 – Prints on 2 sheets.
Shop Copy – 36×52″ page 1.
Sizing and Yardage Information:
All the sizes are included, as given below.
| Sizing | A | B | C | D | E | F | G | H | I | J | K | L | M | N |
| Bust | 30″ | 32″ | 34″ | 36″ | 38″ | 40″ | 42″ | 44″ | 46″ | 48″ | 50″ | 52″ | 54″ | 56″ |
| Waist | 22″ | 24″ | 26″ | 28″ | 30″ | 32″ | 34″ | 36″ | 38″ | 40″ | 42″ | 44″ | 46″ | 48″ |
Fabric for Tuck-in style: 3 yards
Fabric for Waistband style: 2 3/4 yards
1″ wide trim: 2 3/4 yards
Yardages given are with nap.
Notions: Buttons for closure.
| Weight | N/A |
|---|---|
| Dimensions | N/A |
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Emilie Smith –
This blouse is FAB!! I am a pretty young/ small person and it really is quite comfortable. I wear it a lot for daily basis. Mine is made out of basic muslin from JoAnn’s and although I likely should have used a better quality fabric I love it a lot. I’ve used the bishop sleeve pattern for a wrapper as well and I loved it! I will certainly use this again.
Felicity Rackstraw (verified owner) –
What can I say? The blouse is amazing. I’ve made four since I got the pattern. The cover art really doesn’t do this blouse justice. The sleeves are even more epic than shown. I’ve made it in a slightly thicker cotton but also in a plain spun viscose. It just so joyful to wear. It is one of those pieces that fits into a historical wardrobe every bit as well as a modern blouse. It passes for 1940s (especially if you add a collar to it!) and looks superb teamed with a tie, belt and 1940s skirt. The very epitome of film noir femme fatale. And looks just as good worn casually with jeans. It is the perfect (and essential!) addition to every historybounding wardrobe.
But. To the pattern itself. It goes up to a 56″ bust, is easily resized, goes together really easily (the construction is super simple). Hand gathering on the sleeves and cuffs is a must (I didn’t get quite the same result from my machine on my first blouse). I particularly like the cuff construction instructions, which give a clean, professional finish every time. Follow them, and people won’t know that the shirt on your back is one you made and will beg to know where you got it. I just wish I could give it more than 5 stars!!!
Katie Litchfield (verified owner) –
This blouse went together easily and pretty quickly. The instructions were clear and I was able to finish it within a couple of days. I used French seams and turned in and hand stitched the arm holes on the inside so everything looks clean and is washable without fraying. I would make this pattern again and I look forward to wearing it to our local Civil War days event.